shah rukh khan gyrates his pelvis to the sounds of chamak challo, hrithik carves his family-man image on the sets of just dance, mother brings me my complan, and I turn 20.
Sunday, February 2, 2014
start to a birthday post two years ago:
hahah, so i was looking through the old posts and drafts. this one dates back to my 20th birthday.
Saturday, January 7, 2012
left right left
the artist and the scientist.
the former sees what is desired, and the latter what is needed.
the artist creates from the unknown, and is thus rendered insane.
the scientist draws from the given, and therefore can not be argued.
the world without the scientist is plagued with havoc.
the world without the artist is void of hues.
precision, one would assume is the mutual virtue.
precision is just the tool, the virtue is vision.
for neither an artist nor a scientist can create without the light. the spark. the fire.
the former sees what is desired, and the latter what is needed.
the artist creates from the unknown, and is thus rendered insane.
the scientist draws from the given, and therefore can not be argued.
the world without the scientist is plagued with havoc.
the world without the artist is void of hues.
precision, one would assume is the mutual virtue.
precision is just the tool, the virtue is vision.
for neither an artist nor a scientist can create without the light. the spark. the fire.
Tuesday, July 26, 2011
The snails had it coming. Those breathing holes were far too generous, by my call anyway..
i adorned stealth, and focus. and sashayed through the african grass. knees met with swift sharp blades. i had intended to finish what i had begun. i had a promise to keep. with deep set eyes, and my hands armed, and ready to charge. it was the time of the sun. i felt a sweat bead roll down the back of my neck. it wasn't the first. but there were many. my eyebrows squinted in the heat. there was no ulterior motive. things had never been this real. things had never really been at all. i felt the distant grass disappear. it blended in with the rays. not a sound to the left. not sight to the right. there would be questions later. and there would be answers i could not give. a gentle breeze blew past my side. my hair tight up in a ponytail. a messy one, it had become. but there was more to fix out there, than just my hair. the hair could wait. but this couldn't. i'd thought about this breeze before. it was different from what i knew. more... epic. the sharp african summer gave fire to my flesh. and there it was. i saw him. he saw me. he sat pensive on the edge. i waited. we'd been here before. but this was it. i knew it. the breeze giving him flair. and fueling the feel of it all. i drifted smoothly. and took him by the hands. i was there. and he was there. i had dreamt of it for so long. it felt unreal. but so right. i had won. and they would never understand.
in the summer of kindergarten, i was in senegal (west africa). in class we were raising fat green caterpillers. and every kid in class had a pet at home. i asked my parents to settle for a pet. they said no. the next day, i spent my afternoon class hunting for grasshoppers in the football field.
in the summer of kindergarten, i was in senegal (west africa). in class we were raising fat green caterpillers. and every kid in class had a pet at home. i asked my parents to settle for a pet. they said no. the next day, i spent my afternoon class hunting for grasshoppers in the football field.
Chodd Do Anchal
me da cuenta que aun no me crees.
hay algun rincon
del calle
que nos llamaras
eras mas que nada
pero que poco de ayudan
el amor que existe
en el fondo
del almohado
amarillo
ayayayay.
te lo juro mi vida
regresare pronto
cuando puedo
:( :| :S :| :S :P :D XD
y porque ne me prometas?
que raticos tenemos?
no hay dolor, hijo
y y y, dime como
fueron los examines
el tersero lo que harias
pero no
tengo calma
sin futuro
pero siento mejor
hasta
-osea... basta.
hay algun rincon
del calle
que nos llamaras
eras mas que nada
pero que poco de ayudan
el amor que existe
en el fondo
del almohado
amarillo
ayayayay.
te lo juro mi vida
regresare pronto
cuando puedo
:( :| :S :| :S :P :D XD
y porque ne me prometas?
que raticos tenemos?
no hay dolor, hijo
y y y, dime como
fueron los examines
el tersero lo que harias
pero no
tengo calma
sin futuro
pero siento mejor
hasta
-osea... basta.
Bijli Giraade, Meri Raani
i need less of your spine this time,
bit more of your past life
don't fake balls to me today
it won't fetch applause
your smirk suits your lips
matching your cautious sips
divine, is what they'd say
don't you
your jump for the conclusion
deep triumph hangs with the abysmal
i tip you into toeing
you brag of steady balance
snails get the full ride
they're smart and easy to kill
my goals were fine, sir
till you came along
fuddu saala.
bit more of your past life
don't fake balls to me today
it won't fetch applause
your smirk suits your lips
matching your cautious sips
divine, is what they'd say
don't you
your jump for the conclusion
deep triumph hangs with the abysmal
i tip you into toeing
you brag of steady balance
snails get the full ride
they're smart and easy to kill
my goals were fine, sir
till you came along
fuddu saala.
Monday, July 25, 2011
Dearest Antoni, It's Not You-- It's Me
it was that age when fire hits
not a day over sixteen
i held you in my arms that day
not knowing what it'd mean
it was casual, it was perfect
and you didn't seem to mind
you gave me rose tinted shades
and rendered me so blind
i really did love you,
i still do, and always will.
i was too young to fully see you
but too old to not at all
there was no reason not too
and no break before the fall
i knew you'd never leave
so i ignored the time
you knew i'd come back
ignoring reason&rhyme
i clung to all i thought would drift
and i never thought of you
you gave me time, i gave you space
but all of it fell through
i want to come back, i know it well
but i need you to know it too
i don't think i love you anymore
but i need to feel it too
i tried to sort things out at times
but sadly fail to clarify
i said that i'd come visit
i still will, or at least try.
you were never distant.
you were far, but never so.
i thought you'd always stay
so it wouldn't hurt to go
time and distance, we predicted
but what came forth we never saw
and it's been strange, ever since
because i still can't seem to draw
i barely you knew you then
i barely know you now
but i don't love you anymore
which makes it more than just a vow
i said i'd come to visit
and i meant it; i still do.
i think about the family
the one i said i'd visit
your street, pets, and scenes
the romance made it fit
i don't know how you're doing
i don't know if you're the same
you were never all there was
and i was never the only one
pero antes de ir por el almohado
tengo que pedirte el perdon
no necesitas salvacion, yo se
aunque podria yo, tal vez
god knows what's been done to you
god knows what's been to me
i know you know i'll do as i say
and the knowledge sets me free
what i knew back then was nothing
what i know now does not suffice
i may forget you until then
but i will have loved you twice.
de verdad,
la chica que prometio
not a day over sixteen
i held you in my arms that day
not knowing what it'd mean
it was casual, it was perfect
and you didn't seem to mind
you gave me rose tinted shades
and rendered me so blind
i really did love you,
i still do, and always will.
i was too young to fully see you
but too old to not at all
there was no reason not too
and no break before the fall
i knew you'd never leave
so i ignored the time
you knew i'd come back
ignoring reason&rhyme
i clung to all i thought would drift
and i never thought of you
you gave me time, i gave you space
but all of it fell through
i want to come back, i know it well
but i need you to know it too
i don't think i love you anymore
but i need to feel it too
i tried to sort things out at times
but sadly fail to clarify
i said that i'd come visit
i still will, or at least try.
you were never distant.
you were far, but never so.
i thought you'd always stay
so it wouldn't hurt to go
time and distance, we predicted
but what came forth we never saw
and it's been strange, ever since
because i still can't seem to draw
i barely you knew you then
i barely know you now
but i don't love you anymore
which makes it more than just a vow
i said i'd come to visit
and i meant it; i still do.
i think about the family
the one i said i'd visit
your street, pets, and scenes
the romance made it fit
i don't know how you're doing
i don't know if you're the same
you were never all there was
and i was never the only one
pero antes de ir por el almohado
tengo que pedirte el perdon
no necesitas salvacion, yo se
aunque podria yo, tal vez
god knows what's been done to you
god knows what's been to me
i know you know i'll do as i say
and the knowledge sets me free
what i knew back then was nothing
what i know now does not suffice
i may forget you until then
but i will have loved you twice.
de verdad,
la chica que prometio
Sunday, June 12, 2011
Friday, June 10, 2011
diagnosis
the disease without a cure
had an honor to its name
what was flawed? what is pure?
it is no longer the same
they are tempted to mature
to never think, but emulate
there will never be a cure
so watch the kids hallucinate
the glass menagerie shall break
only sharp fragments to survive
without knowing what's at steak
the kids prepare for the shallow dive
they serve to treat the symptoms
but never see the cause
we watch the fight run out of victims
victims run out of petty flaws
the disease without a cure
had an honor to its name
what was flawed is now pure
but somehow feels the same
had an honor to its name
what was flawed? what is pure?
it is no longer the same
they are tempted to mature
to never think, but emulate
there will never be a cure
so watch the kids hallucinate
the glass menagerie shall break
only sharp fragments to survive
without knowing what's at steak
the kids prepare for the shallow dive
they serve to treat the symptoms
but never see the cause
we watch the fight run out of victims
victims run out of petty flaws
the disease without a cure
had an honor to its name
what was flawed is now pure
but somehow feels the same
Friday, March 25, 2011
no conclusion. no regret.
we gawk at the raising prices. our fathers continue to earn. we smile hard enough for the truth to burn. dreams unfulfilled, a voice that couldn't rise. i stare unpleasantly at our infamous compromise. i stir what is stale. in hopes of a surprise. you let things simmer, for stability is your prize.
lungs inflate. pupils dilate. our blood begins to thin. as heads begin to spin. so slightly...ever so lightly... we start to relax. and become we used to be. before the sugar. the hops. and the nicotine.
eyebrows arch inward as your voice begins to fray. eyes dipped in denial squint and turn away. because secrets were not allowed. we judge each other for things we swore we never would. one promise at a time, our bond begins to break. this was not supposed to happen. there lies too much at steak. we grab bottles and sink into songs lyrically vacant and obnoxiously loud. our wavering troubles are to stay. our faces meant to blend within the crowd.
heads tilted into silence, we tell ourselves it's not that bad.
lungs inflate. pupils dilate. our blood begins to thin. as heads begin to spin. so slightly...ever so lightly... we start to relax. and become we used to be. before the sugar. the hops. and the nicotine.
eyebrows arch inward as your voice begins to fray. eyes dipped in denial squint and turn away. because secrets were not allowed. we judge each other for things we swore we never would. one promise at a time, our bond begins to break. this was not supposed to happen. there lies too much at steak. we grab bottles and sink into songs lyrically vacant and obnoxiously loud. our wavering troubles are to stay. our faces meant to blend within the crowd.
heads tilted into silence, we tell ourselves it's not that bad.
Saturday, March 19, 2011
mannequins and coitus
nails dig into flesh as silence seeps in. bones wrapped in muscle wrestle for the sigh of instant gratification. in the back of a barn. in inexpensive hotel suites. in janitor's closets. against the wall. on floral princess sheets. under ceiling posters of celebrities. boys become men, and make girls feel like women.
somewhere right now, grown ups are discussing the accelerated sex drive of my generation. there is discontent. there is disapproval. there is no solution. separated by an element as abstract as time, the enemy begins to drift. more lies. more confusion. more stress. more sex. more lies. the enemy continues to drift.
i giggle sometimes when i flip through the channels and encounter motifs of the 80s. i scoff condescendingly at the holistic inferiority of the times that have passed, and resume my routine. my time is more advanced. birth control is advertised at a larger scale. girls are wearing less clothes. lines are crossed, and limits pushed. there are prudes. and there are sluts. there are gentlemen. there are bastards. i am there as well.
they whine if their chairs aren't pulled out for them. if their doors aren't opened for them. and then they whine that they are not taken seriously. they demand respect. they then proceed to show why they do not merit it. cottony soft dolls stand in line for a robocop exterior.
they're in love with the grunts, the sweat, the energy. it is a prize. they want to touch it. but they don't want to get dirty. they'll admire from afar. dream. try. ploy. proceed. play. and the moment they lose the lead, the prize is flawed. and they wish to spare themselves the contamination. the peacock must strut full throttle.
they are afraid of losing us. they yell. they are afraid of the unknown. they bombard us with what they know. they choke us with their warmth. speechless and possessive. our firm skinned hands rest in their wrinkled ones. the minute hand does its job.
we are an army of mannequins cloaked in hormones. drowning in the false advertising that floods our habitat. we are plagued with vanity. we are plagued with superiority. denial. and enough problems to wound our future fetuses. and enough treasures to trick them into believing that the universe is in their favor.
somewhere right now, grown ups are discussing the accelerated sex drive of my generation. there is discontent. there is disapproval. there is no solution. separated by an element as abstract as time, the enemy begins to drift. more lies. more confusion. more stress. more sex. more lies. the enemy continues to drift.
i giggle sometimes when i flip through the channels and encounter motifs of the 80s. i scoff condescendingly at the holistic inferiority of the times that have passed, and resume my routine. my time is more advanced. birth control is advertised at a larger scale. girls are wearing less clothes. lines are crossed, and limits pushed. there are prudes. and there are sluts. there are gentlemen. there are bastards. i am there as well.
they whine if their chairs aren't pulled out for them. if their doors aren't opened for them. and then they whine that they are not taken seriously. they demand respect. they then proceed to show why they do not merit it. cottony soft dolls stand in line for a robocop exterior.
they're in love with the grunts, the sweat, the energy. it is a prize. they want to touch it. but they don't want to get dirty. they'll admire from afar. dream. try. ploy. proceed. play. and the moment they lose the lead, the prize is flawed. and they wish to spare themselves the contamination. the peacock must strut full throttle.
they are afraid of losing us. they yell. they are afraid of the unknown. they bombard us with what they know. they choke us with their warmth. speechless and possessive. our firm skinned hands rest in their wrinkled ones. the minute hand does its job.
we are an army of mannequins cloaked in hormones. drowning in the false advertising that floods our habitat. we are plagued with vanity. we are plagued with superiority. denial. and enough problems to wound our future fetuses. and enough treasures to trick them into believing that the universe is in their favor.
Thursday, January 13, 2011
last sunday
numb. my hands. my feet. my eyes. my ears. there is no word that could better describe my feelings about my body parts, the weather, the venue or my response to the situation. i rub my hands together for warmth. i try to find the perfect posture for my legs, since they are terribly bruised from my recent staircase injury. as i shift my left leg slightly forward, i feel like yelping in pain. in less than a second's time frame, a very distant and equally overweight aunt of mine manages to sit on my foot. i squirm helplessly as she breaks into her "just right" posture, ignoring my foot. would it be rude if i point it out? i stop fighting it. my foot is underneath a fat woman's derrière. and the hymns begin. great. now i really can't point it out. it's like a social sin to say anything non-hymn related during a hymn. i'm stuck. on second thought, winters do drive you to a point where any contact with a heat source is considered a blessing. my blessing comes in the form of an old derrière.
the hymn ends. i fiddle with one end of my turquoise dupatta and start to dread the drawbacks of handling traditional clothing while a toddler whose name i don't know/once knew/is not worth remembering runs over the other end of my dupatta screaming the words to "Sheela Ki Jawani". The toddler is male, under 5 yrs of age, partially toothless thanks to a playground injury and seems to forget most of the lyrics except for the line "I'm too sexy for you", which he seems to be extremely proud of remembering and repeats the line over and over. i wish somebody could make him understand that these are not the songs you sing at this age. and certainly not the kind you sing at funerals.
i ask my mother the reason behind today's ceremony. she wipes her tears dry and says "in our culture it is believed that the soul wanders around for about 11 days after it escapes the body. since today marks the last day of the soul's supposed presence, we call a priest to conduct the proper rituals to ensure that the soul leaves without any... baggage." i stare at the dozens of boxes of sweets. and for a change it is not because i wish to eat them. i stare because a part of me doesn't understand why at this occasion we care to distribute sweets. till this day i had always associated such actions with occasion of celebration or auspicious value. when i ask my mother why we do so, i can see the little girl within her asking me the same. she says "i don't like it either" and pinches the bridge of her nose trying to refrain from crying. she wouldn't be the first in our culture to follow rituals and traditions without any power to oppose them or even give her two cents on the matter.
i find reasons to stare at things at ground level because i don't want to look up. my eyes trace the carpet design. it is nothing special. i scan the room for the hundredth time. i see sad faces of neighbors. i see tears running down cheeks. i see women sob. i see a settled daughter. and settled son. what i see are the life earnings of a seventy five year old man, who now can only be captured in anecdotes and photographs. snippets of conversation float past my ears. they are all the same. "he didn't leave any duty unfulfilled" is what they keep saying. wherever these words are annunciated, heads nod, women sob and men stiffen their upper-lips in attempts to gather composure. crying out rivers and sobbing endlessly, they manage to put on a show. i stare for an abnormal amount of time at practically every person and object in the cold hall full of grievers. i stare at all but one object. i go over and over my head debating whether i am justified for not staring. whether it is alright for me to not cry right now. whether showing tears will make a difference. whether i can postpone the moment for a little while. i cannot. i look up and stare at the photograph that stands on the white sheet. i stare at eyes in the photograph. and my eyes begin to sting. i want my grandfather to walk into the room and take the string of marigold flowers off of the photograph. i want him to open his arms and smile. how else am i supposed to ever feel the warmth of his embrace again if he doesn't?
i can want and want all i want to. but the marigold flowers are there to stay. nobody can bring him back. not even the tone-deaf priest who continues to taint my memory of my grandfather's demise with his off-beat off-key and altogether terribly rehearsed hymns. at this point i'd rather hear the "sheela ki jawani" toddler. like bullets into uncovered flesh, i see the priest's chants hit my mother and her brother like sharp daggers. his words translate to "you build the palace, and take care of your garden. but you were always meant to leave//your once golden body now dissolves into the dirt. because you were always meant to leave". the priest's lack of tone modulation make the words sound even harsher. but i doubt this was a deliberate effect. my mother, still pinching the bridge of her nose, can no longer keep the sobs inside. all i can do is gently rub her back to remind her that she has more to live for.
as the priest exhausts all the possible methods of repeating the fact that my grandfather is dead, i realize that people have been staring at me. do they want me to cry? do they want me to be strong? do i care about what they want? i give them my ugliest posture. one that exemplifies my extra chin, my fat arms and frizzy temple curls. as i stare at my grandfather's smiling face i think about how he's the last person in the room who'd think i'm ugly. for once in my life i don't feel like conforming to my surroundings. these adults have mood swings. when they walk in, they sob. when they meet my mother, they scream in "pain". when i usher them towards the food arrangements, they ask me what's for dessert. and when my uncle bids them goodbye, they hug and smile. they joke about politicians. they crib about the weather. from time to time, they manage to somehow drag my grandfather into some insignificant anecdote of theirs. it bothers me that they never understood him. even though they had more time to spend with him than i did. these are his brothers. these are his sisters. they come here, complain about the journey, start the waterworks, share a few embraces, eat to their stomachs' content, collect their boxes of sweets, and return to their homes.
the hymn ends. i fiddle with one end of my turquoise dupatta and start to dread the drawbacks of handling traditional clothing while a toddler whose name i don't know/once knew/is not worth remembering runs over the other end of my dupatta screaming the words to "Sheela Ki Jawani". The toddler is male, under 5 yrs of age, partially toothless thanks to a playground injury and seems to forget most of the lyrics except for the line "I'm too sexy for you", which he seems to be extremely proud of remembering and repeats the line over and over. i wish somebody could make him understand that these are not the songs you sing at this age. and certainly not the kind you sing at funerals.
i ask my mother the reason behind today's ceremony. she wipes her tears dry and says "in our culture it is believed that the soul wanders around for about 11 days after it escapes the body. since today marks the last day of the soul's supposed presence, we call a priest to conduct the proper rituals to ensure that the soul leaves without any... baggage." i stare at the dozens of boxes of sweets. and for a change it is not because i wish to eat them. i stare because a part of me doesn't understand why at this occasion we care to distribute sweets. till this day i had always associated such actions with occasion of celebration or auspicious value. when i ask my mother why we do so, i can see the little girl within her asking me the same. she says "i don't like it either" and pinches the bridge of her nose trying to refrain from crying. she wouldn't be the first in our culture to follow rituals and traditions without any power to oppose them or even give her two cents on the matter.
i find reasons to stare at things at ground level because i don't want to look up. my eyes trace the carpet design. it is nothing special. i scan the room for the hundredth time. i see sad faces of neighbors. i see tears running down cheeks. i see women sob. i see a settled daughter. and settled son. what i see are the life earnings of a seventy five year old man, who now can only be captured in anecdotes and photographs. snippets of conversation float past my ears. they are all the same. "he didn't leave any duty unfulfilled" is what they keep saying. wherever these words are annunciated, heads nod, women sob and men stiffen their upper-lips in attempts to gather composure. crying out rivers and sobbing endlessly, they manage to put on a show. i stare for an abnormal amount of time at practically every person and object in the cold hall full of grievers. i stare at all but one object. i go over and over my head debating whether i am justified for not staring. whether it is alright for me to not cry right now. whether showing tears will make a difference. whether i can postpone the moment for a little while. i cannot. i look up and stare at the photograph that stands on the white sheet. i stare at eyes in the photograph. and my eyes begin to sting. i want my grandfather to walk into the room and take the string of marigold flowers off of the photograph. i want him to open his arms and smile. how else am i supposed to ever feel the warmth of his embrace again if he doesn't?
i can want and want all i want to. but the marigold flowers are there to stay. nobody can bring him back. not even the tone-deaf priest who continues to taint my memory of my grandfather's demise with his off-beat off-key and altogether terribly rehearsed hymns. at this point i'd rather hear the "sheela ki jawani" toddler. like bullets into uncovered flesh, i see the priest's chants hit my mother and her brother like sharp daggers. his words translate to "you build the palace, and take care of your garden. but you were always meant to leave//your once golden body now dissolves into the dirt. because you were always meant to leave". the priest's lack of tone modulation make the words sound even harsher. but i doubt this was a deliberate effect. my mother, still pinching the bridge of her nose, can no longer keep the sobs inside. all i can do is gently rub her back to remind her that she has more to live for.
as the priest exhausts all the possible methods of repeating the fact that my grandfather is dead, i realize that people have been staring at me. do they want me to cry? do they want me to be strong? do i care about what they want? i give them my ugliest posture. one that exemplifies my extra chin, my fat arms and frizzy temple curls. as i stare at my grandfather's smiling face i think about how he's the last person in the room who'd think i'm ugly. for once in my life i don't feel like conforming to my surroundings. these adults have mood swings. when they walk in, they sob. when they meet my mother, they scream in "pain". when i usher them towards the food arrangements, they ask me what's for dessert. and when my uncle bids them goodbye, they hug and smile. they joke about politicians. they crib about the weather. from time to time, they manage to somehow drag my grandfather into some insignificant anecdote of theirs. it bothers me that they never understood him. even though they had more time to spend with him than i did. these are his brothers. these are his sisters. they come here, complain about the journey, start the waterworks, share a few embraces, eat to their stomachs' content, collect their boxes of sweets, and return to their homes.
Saturday, December 18, 2010
the sun had slowed things down, you see
I stare. I stare endlessly into the black tar that covered the basketball from corner to corner. Time had yet to exist as a variable. I lay on my stomach atop two plastic skateboards. I use my feet to go two and fro, in the same spot. I loosely trace circles on the black rubble with my index finger. With my face parallel to the floor and only three inches away from it, I see everything at a ninety degree tilt. Alternately beaded yellow and white plastic jump ropes slap the floor. Basketballs roll out to the corners of the court. Pogo sticks squeak as they bounce past me. I was content. We were all content.
I stare at the puddled floor of the girl's bathroom on the ground floor. I hate how the flush never works. The water continues to leak, slowly adding to the puddle. I lean against the tiles. I know they are not clean, and I wouldn't ever lean against the tiles. But I lean. I have more on my mind than the never-been-washed square white tiles. I kick the wall. Nothing happens. The echo of the exhaust fan is mind numbing. I stare at the disgusting wet floor and wonder what the original color of the tiles was. Ten minutes have passed. I still do not know what to write. I tell myself to gather composure. As the words of my standard motivation speech recite themselves in my mind, my tears find it easier to slip out of the corners of my eyes. My vision is blurred. The questionable color of the floor still bothers me. More tears. I clench the tiny papers in my hand. I have forty four pages of chemistry micro-xeroxed in my hands. I still don't know what to write. Time had passed me by too fast.
I stare at the puddled floor of the girl's bathroom on the ground floor. I hate how the flush never works. The water continues to leak, slowly adding to the puddle. I lean against the tiles. I know they are not clean, and I wouldn't ever lean against the tiles. But I lean. I have more on my mind than the never-been-washed square white tiles. I kick the wall. Nothing happens. The echo of the exhaust fan is mind numbing. I stare at the disgusting wet floor and wonder what the original color of the tiles was. Ten minutes have passed. I still do not know what to write. I tell myself to gather composure. As the words of my standard motivation speech recite themselves in my mind, my tears find it easier to slip out of the corners of my eyes. My vision is blurred. The questionable color of the floor still bothers me. More tears. I clench the tiny papers in my hand. I have forty four pages of chemistry micro-xeroxed in my hands. I still don't know what to write. Time had passed me by too fast.
Thursday, November 4, 2010
So I ask you, what's the point?
I talk for hours in my head. I stare at your face. I smile. You smile. We talk. It's the same. I have you convinced. You think nothing is wrong. You think it's the same. I dodge the can of worms as it rolls on to the stage. It's not the right time, I tell myself. We smile, we shake, and we're on our way. You're on your way to a set of arms that loves you and to a pair of ears that listen to your words and most importantly, you're on your way to a set of lips that tells you what you wish to hear.
I talk and talk for hours in my head, and there really is no point. If you heard even a fraction of what I had to say, you'd shrug your shoulders, make the most repulsed face you can and you'll again be on your way to those arms those and those lips. You'll discuss your bruises. You'll discuss my flaws. You'll discuss everything of mine that I wouldn't yours. Those arms will cradle you and you won't need me to bring you your medicine.
I apologize. I look at your visibly pissed off, but still cute face and I say that I'm sorry. This doesn't convince you. Why should it? I'm feeding you lies anyway. You roll your eyes and tell me I have issues. I crack a light smile and say we all do, don't we? You look to ground and raise your tone. You tell me I'm no longer receptive, and that it's a problem. I sigh because you're no longer a good critic, and that's my problem. But I won't say this because it might prove your point, and my ego isn't dead. So I shut up and listen and I try to fix it with a hug. You lean in with dead arms as your eyes roll themselves out of your sockets. I feel pathetic. Dead cats give better hugs. You usually give better hugs. But you don't ever hug, do you?
So I stand with just as much to say as I had to yesterday. But I want you to be the only one to hear. But I'll never find you alone. So I feel like shit for thinking things that sound this selfish. Because somewhere in this rant, I want you to be alone. Maybe just as alone as I stand now. That's a terrible thing for a friend to want. So I no longer want it. I don't decide to tell myself that I'll try to not want it. I just no longer want it. It's wrong.
Days pass me by, faces cross my path. I laugh. I yell. I crib. I tease. I bid goodbye and return to my bed at night. I talk to my parents on the phone. I check emails that bind to my past. On some sunny afternoons, the sight of the sunlight on the bricks of the wall reminds me of the slow days that escaped my share of time simply because I was dreaming. I think of what I love. I think of what I should be. I think of my circle of comfort. And of how the radius has decreased as of late. I find it sad that I try to stretch it further bit by bit but only to find it relapse pass the original point. I think of how you're in it. You're in that tiny little circle that seems to be shrinking. When this thought crosses my mind, I get up and turn to walk towards you. I imagine the things I have to say, and weigh the acidity of my words before they trip off the tip of my tongue. They are sour. They are sour enough to trigger that repulsed face of yours. The one I hate to see. You make that face in my mind, and the sight of those extra arms, eyes and ears appear. They scoff at me just as you do. I don't want you to scoff. I want you to hug. And not like a dead cat would. So I decide to dodge the can that rolls in again. because I don't dodge it, you'll scar my future thoughts with that hideous face you make.
So I pause and deal with the momentum of my intentions having to be suppressed. It is an unpleasant killjoy sort of feeling. I purse my lips and ask what's up? You shrug and say nothing... nothing special. You're on your way out again. So I get back under my blanket. It's warm enough to make me forget about the diminishing radius and the speed of time.
So I ask you, what's the point?
I talk and talk for hours in my head, and there really is no point. If you heard even a fraction of what I had to say, you'd shrug your shoulders, make the most repulsed face you can and you'll again be on your way to those arms those and those lips. You'll discuss your bruises. You'll discuss my flaws. You'll discuss everything of mine that I wouldn't yours. Those arms will cradle you and you won't need me to bring you your medicine.
I apologize. I look at your visibly pissed off, but still cute face and I say that I'm sorry. This doesn't convince you. Why should it? I'm feeding you lies anyway. You roll your eyes and tell me I have issues. I crack a light smile and say we all do, don't we? You look to ground and raise your tone. You tell me I'm no longer receptive, and that it's a problem. I sigh because you're no longer a good critic, and that's my problem. But I won't say this because it might prove your point, and my ego isn't dead. So I shut up and listen and I try to fix it with a hug. You lean in with dead arms as your eyes roll themselves out of your sockets. I feel pathetic. Dead cats give better hugs. You usually give better hugs. But you don't ever hug, do you?
So I stand with just as much to say as I had to yesterday. But I want you to be the only one to hear. But I'll never find you alone. So I feel like shit for thinking things that sound this selfish. Because somewhere in this rant, I want you to be alone. Maybe just as alone as I stand now. That's a terrible thing for a friend to want. So I no longer want it. I don't decide to tell myself that I'll try to not want it. I just no longer want it. It's wrong.
Days pass me by, faces cross my path. I laugh. I yell. I crib. I tease. I bid goodbye and return to my bed at night. I talk to my parents on the phone. I check emails that bind to my past. On some sunny afternoons, the sight of the sunlight on the bricks of the wall reminds me of the slow days that escaped my share of time simply because I was dreaming. I think of what I love. I think of what I should be. I think of my circle of comfort. And of how the radius has decreased as of late. I find it sad that I try to stretch it further bit by bit but only to find it relapse pass the original point. I think of how you're in it. You're in that tiny little circle that seems to be shrinking. When this thought crosses my mind, I get up and turn to walk towards you. I imagine the things I have to say, and weigh the acidity of my words before they trip off the tip of my tongue. They are sour. They are sour enough to trigger that repulsed face of yours. The one I hate to see. You make that face in my mind, and the sight of those extra arms, eyes and ears appear. They scoff at me just as you do. I don't want you to scoff. I want you to hug. And not like a dead cat would. So I decide to dodge the can that rolls in again. because I don't dodge it, you'll scar my future thoughts with that hideous face you make.
So I pause and deal with the momentum of my intentions having to be suppressed. It is an unpleasant killjoy sort of feeling. I purse my lips and ask what's up? You shrug and say nothing... nothing special. You're on your way out again. So I get back under my blanket. It's warm enough to make me forget about the diminishing radius and the speed of time.
So I ask you, what's the point?
Tuesday, December 29, 2009
We came, we saw, &they left me to conquer
It's been a long six months, since I shifted to Chandigarh, but alas- my first post on the ole' blog, I write from my house in Delhi.
Before having moved to Chandigarh, I had heard a lot about it. Or at least as much as one can hear over the span of a week [that would be the week that I found out about the existence of the college that i currently attend... and the same week that decided the next four years of my life]. It all seemed so sudden: the forms, the faxes, the bank statements, the photocopies, the shopping, the phonecalls, the shopping, the packing... the handshakes and hugs, and finally the piaggio auto that sped away from the gates of my hostel carrying the three individuals who loved me the most in the world.
Bless my memory for I can still recall every little detail of my arrival in Chandigarh. And it's nice to think about how the city was for me in the first few days and how it is now because it's only been six months and there is already a marked nostalgia of the former perspective.
Before leaving for Chandigarh, I used Google to get my preliminary source of information regarding the city. I also found a PG in Sec-35 for us to stay in for a couple of days. As an outsider, I found the term "Sector 35-c" seem pretty insignificant as I stared at my computer screen. Little did I know, I'd be spending most of my late-leaves over the next semester in this.
And so we came, a family of four set to breath in the sights that India's best-planned city had to offer. We laughed, we ate, we clicked pictures to mark our moments. Then the vacation ended, and reality slapped me in the face as I opened my room's door, and realized that my family wasn't there. Nobody was there. The hostel was practically empty. I walked over to my bed. It felt cold and unreal, partially because i hadn't taken off the plastic from the mattress and partially because I hadn't imagined things to be this cold.
It was either due to the silence that seeped into my surroundings, or the fact that I forgot to anticipate the silence. Over the next few minutes, I sat there curled up on my new mattress, staring at my balcony view. The room was better than expected. But it was still empty. I was alone. And even though I knew my roommates would be moving in over the next few days, I still felt alone. Maybe I felt this way because I knew that no matter how significant they become over the next four years, they'll still be just friends. They won't be the ones who've known me all of my life. They'll be the ones to know me best from my college days, but none of them will be able to see how vivid and detailed the past 18 years of my life had been. They'll get to know me, but they might not understand why I am this way.
And as the room continued to stay silent, I continued to ponder the things I had seen over the years... the places I had called home... the phases that I entered proudly, lived through steadily, and quit reluctantly... the friends whose ears I'd whispered my secrets into... the fights that I'd have with my brother... the songs that I'd exploit till they no longer pleased me... the mentors, the advice... and the grand ceremonial end to my high school life... and the application process... the past few days.. and the auto that had probably arrived at the Chandigarh Railway Station a moment ago... the three passengers that exit the vehicle to board the train...
Though momentarily depressing, it was necessary for me to go over all of it. Looking back, acknowledging closure in between stages had always made it easier to move on. Those moments of reflection may have only last a few minutes, but they cemented so permanently in my memory, it doesn't take long to remember how..."it felt back then".
Eventually my roommates moved in and I moved past my unanticipated vulnerability. I made some new friends, joined some clubs, left a club, got to know the city. Sometimes, I can flatten most of the past six month's events down to one condensed memory that will furthermore continue condense under the pressure of passing time But it's the initial days of a fresh stage that never seem to blur, no matter how distant in the past they may stand.
Maybe I'll span it out over a few posts, but I think I'm gonna describe the most vivid of "checkpoints" in my life. That is, given I'm still in the same "senti" mood that I currently find myself to be in.
Before having moved to Chandigarh, I had heard a lot about it. Or at least as much as one can hear over the span of a week [that would be the week that I found out about the existence of the college that i currently attend... and the same week that decided the next four years of my life]. It all seemed so sudden: the forms, the faxes, the bank statements, the photocopies, the shopping, the phonecalls, the shopping, the packing... the handshakes and hugs, and finally the piaggio auto that sped away from the gates of my hostel carrying the three individuals who loved me the most in the world.
Bless my memory for I can still recall every little detail of my arrival in Chandigarh. And it's nice to think about how the city was for me in the first few days and how it is now because it's only been six months and there is already a marked nostalgia of the former perspective.
Before leaving for Chandigarh, I used Google to get my preliminary source of information regarding the city. I also found a PG in Sec-35 for us to stay in for a couple of days. As an outsider, I found the term "Sector 35-c" seem pretty insignificant as I stared at my computer screen. Little did I know, I'd be spending most of my late-leaves over the next semester in this.
And so we came, a family of four set to breath in the sights that India's best-planned city had to offer. We laughed, we ate, we clicked pictures to mark our moments. Then the vacation ended, and reality slapped me in the face as I opened my room's door, and realized that my family wasn't there. Nobody was there. The hostel was practically empty. I walked over to my bed. It felt cold and unreal, partially because i hadn't taken off the plastic from the mattress and partially because I hadn't imagined things to be this cold.
It was either due to the silence that seeped into my surroundings, or the fact that I forgot to anticipate the silence. Over the next few minutes, I sat there curled up on my new mattress, staring at my balcony view. The room was better than expected. But it was still empty. I was alone. And even though I knew my roommates would be moving in over the next few days, I still felt alone. Maybe I felt this way because I knew that no matter how significant they become over the next four years, they'll still be just friends. They won't be the ones who've known me all of my life. They'll be the ones to know me best from my college days, but none of them will be able to see how vivid and detailed the past 18 years of my life had been. They'll get to know me, but they might not understand why I am this way.
And as the room continued to stay silent, I continued to ponder the things I had seen over the years... the places I had called home... the phases that I entered proudly, lived through steadily, and quit reluctantly... the friends whose ears I'd whispered my secrets into... the fights that I'd have with my brother... the songs that I'd exploit till they no longer pleased me... the mentors, the advice... and the grand ceremonial end to my high school life... and the application process... the past few days.. and the auto that had probably arrived at the Chandigarh Railway Station a moment ago... the three passengers that exit the vehicle to board the train...
Though momentarily depressing, it was necessary for me to go over all of it. Looking back, acknowledging closure in between stages had always made it easier to move on. Those moments of reflection may have only last a few minutes, but they cemented so permanently in my memory, it doesn't take long to remember how..."it felt back then".
Eventually my roommates moved in and I moved past my unanticipated vulnerability. I made some new friends, joined some clubs, left a club, got to know the city. Sometimes, I can flatten most of the past six month's events down to one condensed memory that will furthermore continue condense under the pressure of passing time But it's the initial days of a fresh stage that never seem to blur, no matter how distant in the past they may stand.
Maybe I'll span it out over a few posts, but I think I'm gonna describe the most vivid of "checkpoints" in my life. That is, given I'm still in the same "senti" mood that I currently find myself to be in.
Friday, December 11, 2009
Minor Letdown
the lone tree draws her close with vines of silence
the coarseness of the bark comes only to mind
when the grandiose foliage is left to unwind
sweltering words need not be spoken
for placid ties to be broken
a vigorous mind need not trauma to turn rough
for solitude in excess does damage enough
with winter’s wind passing,
the inevitable energy of the change has gone
fall’s lingering warmth is withdrawn
short frequent meetings are reduced to distant greetings
the best of burgeoning friendships become frail
for in the end, expectations give way to betrayal
Sunday, March 29, 2009
Let's Get Acquainted
So. Herro. I'm Mootal. &This be my blog. Stick around.
Mootal predicts post frequency to be low. Very low.
Mootal predicts post frequency to be low. Very low.
Subscribe to:
Posts (Atom)
